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Many of the works in the ground floor galleries have been created with a sense of human scale in mind – such as Jonathan Kim’s finely balanced assemblages which sit directly (and vulnerably) on the floor, or Ómra Caoimhe’s intricate knitted structures hung from knotted wool. The deeply personal woven domes of Kim Ah Sam have been suspended at head height, as if waiting for someone to duck under and feel the rim of feathers around their neck. www.seesawmag.com.au/tag/hatched/
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